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BACH ACADEMY

SOfia Art Institute
PRESENTS

BACH ACADEMY

9-12 jULY 2026
sofia
helikon art
Nikolay Stoykov, personal archive

Dedicated to the keyboard music of Johann Sebastian Bach, the Bach Academy with Nikolay Stoykov offers a four-day intensive course in historically informed performance practice for pianists and harpsichordists. Throughout the workshop, participants will explore the stylistic characteristics, sound world, and interpretative principles of Bach’s music through practical work on both the harpsichord and the modern piano.

The academy is led by Nikolay Stoykov, a performer with extensive experience in the field of early music. He studied in France with distinguished musicians and specialized in harpsichord and Baroque performance practice under the guidance of renowned French harpsichordists Joël Pontet and Violaine Cochard. A recipient of numerous national and international awards, he maintains an active concert career as both a soloist and chamber musician in Bulgaria and abroad.

The course is open both to pianists who wish to become acquainted with the distinctive features of the harpsichord and Baroque style, and to harpsichordists seeking to deepen their knowledge of Bach’s repertoire. The academy concludes with a final participants’ concert.

For questions and further information:

+359 882 898 605
[email protected]


Part of the “Masterclasses” series

WHO IS THE COURSE FOR?

The workshop is intended for:

Music school students
Advanced amateur musicians
Piano and harpsichord students
Teachers and amateur musicians with an interest in Baroque performance practice
Professional performers

It is suitable for participants who wish to:

deepen their understanding of Bach’s keyboard music
develop stylistically informed interpretation
become familiar with the characteristics of historical keyboard instruments
master the fundamental principles of Baroque articulation, ornamentation, and phrasing
rethink the relationship between technique, sound, and musical text

Educational Objectives

During the course, participants will work on:

developing practical skills in harpsichord playing
developing polyphonic thinking and aural control
developing a stylistically informed interpretation
mastering the principles of Baroque ornamentation
working with historical treatises and primary sources
understanding tempo, agogics, and rhetoric in Bach’s music

The Mentor

Nikolay Stoykov, personal archive

Nikolay Stoykov began playing the piano and flute at the age of 11. His encounter with his first piano teacher, Teodora Shipkovenska, proved decisive in his choice to devote his life to music.

He graduated with distinction from the National School of Music “Lyubomir Pipkov,” studying flute with Mila Pavlova, and later obtained a Master’s degree from the National Academy of Music “Prof. Pancho Vladigerov” under Prof. Lidia Oshavkova. Between 2010 and 2017, he continued his musical education in France — first at the Conservatory in Strasbourg in the flute class of Sandrine François (principal flute of the Strasbourg Philharmonic), and subsequently specializing for three years with the world-renowned flutist Patrick Gallois in Paris.

His passion for early music led him to study harpsichord and Baroque performance practice with French harpsichordists Joël Pontet and Violine Cochard.

Nikolay Stoykov is the recipient of numerous awards as a soloist and chamber musician from national and international competitions, including “Young Virtuosos,” “Music and Earth,” the Academic Competition “Nikola Stefanov,” among others.

He has performed extensively as a soloist and chamber musician in Bulgaria and abroad, and has appeared at festivals such as “ppIANISSIMO,” “New Bulgarian Music,” and “The Art of Baroque.”

His repertoire spans works from the Renaissance to contemporary music, and he is guided by the belief that what is essential for an artist is to be unique and to develop a genuine musical voice, transforming each concert into an emotional experience shared with the audience.


Application Fee

An application fee of €30 is required for the review of the application. Upon acceptance, this amount is fully deducted from the course participation fee. If the applicant is not admitted, the application fee is non-refundable, but it grants the opportunity for free passive participation.

Main Program (Participation Fee)

The participation fee for the Main Program includes all sessions within the Bach Academy.

€149 for registration by June 20, 2026.
€169 for registration by June 30, 2026.
€189 for registration by July 5, 2026.

Places are limited and are confirmed upon successful completion of the application process and receipt of payment.

Passive Participation

Listeners and guests may purchase a ticket for passive participation covering all four days of the course at a price of €30. Payment is made via EPAYGO.BG.

Scholarships and Financial Support

Applicants who wish to participate but are experiencing financial difficulties are encouraged to contact us and describe their situation. In a limited number of cases, full or partial scholarships may be granted.

Payment Method

After acceptance, applicants will receive instructions for payment of the remaining balance. A place in the course is considered fully reserved only after the corresponding payment has been received.


Workshop Themes

Introduction to the Harpsichord

instrument design and mechanics
registers and tonal possibilities
principles of sound production
unequal temperaments

Harpsichord and Piano: Similarities and Differences

touch and key action
articulation
dynamics
pedaling and its historical context

Style and Interpretation

Baroque phrasing
agogics and musical rhetoric
ornamentation in the German Baroque tradition
historical fingering techniques

Dance Forms in Bach’s Suites

Allemande
Courante
Sarabande
Gigue
Gavotte, Bourrée, and Minuet

Final Concert

The course will conclude with a concert in which participants will perform works by Johann Sebastian Bach.

Format

freely chosen program
performance on harpsichord or piano
event open to the public

The concert is intended to provide an opportunity for the practical application of the principles studied during the course and for a public performance within a stylistically informed context.


Recommended Repertoire

Inventions and Sinfonias, BWV 772–801
Six Little Preludes, BWV 933–938
French Suites, BWV 812–817
English Suites, BWV 806–811
The Well-Tempered Clavier, Book I, BWV 846–869
The Well-Tempered Clavier, Book II, BWV 870–893
Italian Concerto, BWV 971
French Overture, BWV 831
Toccatas, BWV 910–916
Partitas, BWV 825–830

Urtext editions are recommended.


Instruments Provided

French double-manual harpsichord — a copy of an 18th-century instrument
Grand piano

TICKETS FOR PASSIVE PARTICIPANTS

9 July (Thursday) | 16:00 12 July (Sunday) | 20:00

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